2018 has been a funny one. Even though it’s technically been a quiet year for Hedgefield lots has happened still.
For starters, I had my first intern! Kim Leunen from the HKU asked if she could intern with me for a few months, so every week we sat down and spent the day making games.
It was really refreshing to work with someone from the game world again. And like me, Kim started from illustration and now wanted to tell interactive stories, so our design vision was very similar.
We wrote a new concept from the ashes of Black Feather Forest, and built a prototype for her girlscout forest adventure game (a recurring theme in my career by now). I look forward to seeing what she creates.
I don’t usually get around to doing inktober, but this year I was doing a lot with my iPad Pro, so it was easier to roll into it. What helped me especially was not to try and do the prompts list, but just draw whatever was on my mind that day. If there is an emotion behind it, I find it’s easier to start drawing.
I was looking at these excellent Steven Universe backgrounds when I remembered a project I was working on a few years ago that I did some background sketches for. They show a school campus with Bauhaus and Fin De Ciecle influences in its architecture.
There’s something really cool about designing a location for games or animation. It’s different from static shots, you have to think about camera movement and making sure all the interactive things are visible at a good angle. My favorite thing is to account for the camera perspective changing when it pans around, so it seems a little more 3D than it is.
Poirot and Bouc catching up, from Murder On The Orient Express.
Had to pause this movie a few times to snap drawing reference, the colors and compositions are fantastic.
This is the first digital painting I completed in Procreate for iPad. I miss some of the finer control of a Wacom + Photoshop, but it’s definitely powerful and fun. And the great thing is it also saves a timelapse!
I felt it was time to update my corporate branding. My current avatar doesn’t really do justice to my hair situation anymore!
The base for the first avatar came from a daily comic I drew in 2010. I then used it to advertise my font, and soon it became my business card and website header when I went freelance. I updated it once in 2014 to add the beard. Since then I never really looked at it again. I did draw a new version of myself in my daily comics from 2015, but it wasn’t until 2018 that I felt the need to update my official avatar too.
A tradition that has snuck into these avatars is that each new version has the shirt I most like to wear at that time. This year was a bit of a challenge because it’s not as colorful as previous years, but I think the greyish-blue does contrast nicely with the orange.
I felt creative this weekend but didn’t know which project to pour it into, so I spent some time speedpainting from photo reference.
Instagram is a great source for crazy colors and compositions. I especially love hair that’s lit from behind or some similarly interesting lighting setup.
I recorded the one in the bottom-right. In the beginning these usually looks like shit, it’s a real process of sculpting with the brush. I wasn’t shooting for a 1-to-1 likeness either, just to capture the light and the wildness of the hair.
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